VENICE features an all-new Full-Frame sensor with the classic 36 x 24mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032. Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom.
When you need to mount your VENICE camera on a drone, stabilizer, or fit it into a tight space, the Sony Rialto Camera Extension System enables you to remove the sensor block and extend it up to 18’ away from the camera body with no loss of image quality. This allows you to acquire images remotely with the same 6K image quality and functionality the VENICE is known for.
Compact, lightweight and self-contained, the ARRI ALEXA Mini is a versatile additional tool in the ALEXA camera range. Crews will find that the ALEXA Mini perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.
The Sony PMW-F55 CineAlta 4K Digital Cinema Camera features an 8.9MP Super 35mm image sensor, capable of capturing 4K, 2K and HD resolution video in a variety of formats via the camera’s internal recorder. The F55 is among the first digital motion picture cameras with a global shutter, which completely eliminates motion skew and other “rolling” shutter distortions. Sony has designed the F55 as the foundation of an exceptionally versatile, modular system.
The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD, and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35-mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35-mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.
Expanding on the original FS7, Sony’s PXW-FS7M2 XDCAM Super 35 Camera System is a flexible 4K camera system. Designed as a camera that is at home on productions as diverse as “Cinéma Vérité”-style documentaries, reality TV, commercial, and corporate applications It features a Super 35mm sized sensor that allows you to capture images with cinematic depth of field.
The EF lens mount on the EOS C300 offers compatibility not only with Canon’s existing broad range of DSLR lenses but also with their line of EF-mount CN-E cinema prime and zoom lenses. The Super 35mm sensor is paired with the Canon DIGIC DV 5 image processor, which uses an innovative method of breaking out red, green, and blue data to enable color performance on a level that would otherwise require three separate chips.
The EOS C300 is Canon’s first foray into digital cinema and is equipped with Canon’s DIGIC DV III image processor, a 9.84-megapixel CMOS sensor (8.29-megapixel eective) capable of Super 35 format, and your choice of 23.98, 24, 25, 29.97, 50, and 59.94 fps recording at ISOs ranging from 320 all the way up to 20,000. The EOS C300 has two XLR inputs for audio and can shoot 160 minutes of video onto a 64GB CF card running at a 50Mbps bitrate at 1080p.
Canon’s EOS C200 EF Cinema Camera features a built-in EVF, 4” LCD screen, top handle, Super 35mm CMOS sensor, and Dual Pixel Autofocus. The EF lens mount on the EOS C200 offers compatibility not only with Canon’s existing broad range of DSLR lenses but also with their line of EF-mount CN-E cinema prime and zoom lenses. The Super 35mm sensor is paired with Canon’s Dual DIGIC DV 6 image processor, allowing it to capture and record up to 4K DCI resolution.
Sony’s PXW-FS5M2 4K XDCAM Super 35mm Compact Camcorder features a familiar body style with improved capabilities. HLG (Hybrid Log Gamma) enables both an HDR (high dynamic range) and SDR (standard dynamic range) in-camera workflow for flexibility in post and delivery. Newly tuned picture tone settings provide improved image control. The camera records internally to dual media card slots and can continuously capture HD at up to 120 fps, with 8-second long bursts at 240 fps. Raw 4K recording is available with the addition of optional external recorders that also allow 4K recording at 50 and 60p.
The Sony PMW-400 2/3” XDCAM EX HD Camcorder with Lens and 50 Pin Interface Adapter is a 2/3”, shoulder-mounted, interchangeable lens camcorder in the XDCAM EX line. It features three 2/3” type Exmor CMOS Imaging Sensors with a resolution of 1920 x 1080. The camera records HD and SD in both NTSC and PAL compatible frame rates. The camera records 1080i at 59.94/50, 1080p at 29.97/25/23.98, 720p in 59.94/50/25/23.98, SD at 576i/p and 480i/p, as well as additional HD frame sizes.
The PXW-X400 Shoulder Camcorder Body from Sony features three-chip 2/3” Exmor CMOS image sensors to offer high picture quality and S/N ratio. The PXW-X400 Camcorder supports the Sony XAVC codec up to 1080/59.94p and 50p recording, in addition to MPEG and DVCAM formats.
Sony’s PXW-Z280 4K 3-CMOS 1/2” Sensor XDCAM Camcorder continues the fine tradition of the XDCAM series of cameras. It captures 4K at up to 60p relying on three 1/2” Exmor R sensors that provide improved low-light capability when compared to standard sensors. The camera integrates a 17x optical zoom lens and an electronic variable ND filter. The camera supports modern codecs such as XAVC, as well as legacy codecs such as MPEG HD and DVCAM, allowing you to use one camera to shoot 4K, HD, or SD video.
The PMW-300 XDCAM HD Camcorder from Sony is designed to meet the demands of field video productions and professional studio applications. It is Sony’s rst semi-shoulder Mount Camcorder to combine the low-light capabilities of three 1/2” Exmor Full HD CMOS Sensors with the broadcast-quality of Full HD MPEG HD422 codec. The camcorder features the same rugged metal construction, interchangeable EX Lens Mount, and 14x Fujinon HD Lens as the PMW-EX3; but introduces advanced signal processing technology for low noise and clearer images.
Upping the electronics and recording capabilities of its Mini Pro predecessor, the Blackmagic Design’s URSA Mini Pro 4.6K G2 Digital Cinema Camera brings expanded control set and even more functionality. The G2 introduces an updated Super 35 4.6K sensor featuring 15 stops of dynamic range at 3200 ISO, high frame rate recording up to 300 fps, and additional recording functionality.